The models of
the dresses that the dolls wear are the result of a deep and documented
investigation. Afther having made the various parts that compose the doll,
I paint the face and afther a careful study of its countenance I decide
whether it will be a 16th century lady, an 18th
century noble woman or a lady of the beginnig of the 20th
century.
The same
procedure has been applyed to those dolls wearing popular clothes: I first
paint the face and then I decided whether the doll will wear a Sicilian
dress, an Apulian dress or a Tuscan dress.
As for as the Venecian masks
are concerned, the procedure I apply is different.
Carneval,
the one in Venice in particular, is
extremaly fanciful and for this
reason creativity and imagination are free
to range over different styles. Usually I
take my inspiration from the masks I see go
round in Venice during Carnival
season.
As for the clothes, more than for the fabric (so difficult to find) I
keep to the patterns I discover in old books in different Italian libraries.
Lady dolls have, mostly, natural
hair sticked in tufts on their head
and then combed according to that
time fastion. Dolls with popular costume have synthetic hair
becouse they always wear hed-squares or hats.
All dolls are rigorously only copies becouse
are completely hand-made and bear
the mark
"Gigliette".